PROCESOR CHITARA - VOCE PROFESIONAL | LEXICON REFLEX | RACK 19" 1U | CHORUS REVERB | MADE IN USA

Procesor rack Lexicon Reflex

efecte de chorus si reverb

• HALL AND PLATE
The reverbs, as you would expect from Lexicon, are superb. Fine control of colouration is possible using High Frequency Cutoff and Bass Multiply in conjunction with Room Size (8-71 meters in 64 steps). The new Hall reverb benefits from Early Reflection level, delay and diffusion parameters, and of particular note is the lovely Plate algorithm. This is full of detail and richness but without a hint of muddiness, making it perfect for all your drum and percussion needs.

• FLANGER
Very transparent in quality, this stereo flanger also incorporates separate left and right delays (0-1000ms) with individual feedback amounts, plus a Shape control to alter the modulation waveform. With the addition of negative feedback, rate and depth, one is armed with all the essentials of good flanging.

• MULTI-TAPS
This 4-tap bouncing delay is actually two separate ping-pong delays, each with a range of 0-1000ms in 128 steps. Use of High Frequency Cutoff and Diffusion serves to respectively darken the tone and blur the edges of successive repeats, providing a pleasing simulation of analogue tape delay. This algorithm also allows the delays to be controlled by MIDI clock. In practice, setting the delay times is quite tricky, as the display shows arbitrary values between 1-128, not milliseconds, and things are further confused by the Group Delay setting, which varies the delay ratio between left and right repeats. Once a nice relationship is found, it seems to be totally disrupted when MIDI clock is applied; change tempo, and all hell breaks loose. Not for high pressure clock-watching sessions, but great atmospheric results are possible.

• RESONATOR
The Resonator is additional to those algorithms found in the Alex, and is both strange and pleasing. It reacts in subtly different ways depending on the source sound, but the overall impression is of a 'strumming' effect which tails the note, reminiscent of an Aeolian harp, or someone strumming the strings of a piano with the sustain pedal down. The tuning, tone, decay and spread of the strum can all be controlled to some extent, again dependent on the sound being treated. Setting the pre-delay to long values (0-524ms) with high feedback can give the impression of an orchestra of psalterys following your every move. Very absorbing and lots of fun.

• INVERSE
Also known as reverse reverb, Inverse is characterised by a slow attack followed by an abrupt cutoff, combined with a repeat of the original signal. Overall length of the effect is controlled by the Size parameter (1-32 metres in 32 steps). Predelay (0-246ms) can also be fed back on itself to create repeated inverse echoes.

• GATE
Gate recreates the famous gated stone room effect first made popular in the '80s by Phil Collins. As with the Inverse algorithm, the Predelay can be fed back to provide repeated versions. Slope is used to vary the end level of the reverb tail, and the gate time ranges from 0.150-390ms. Colouration is controlled both by gate time and HF Cutoff.

• CHORUS
The Chorus algorithm combines 6-voice chorus with three separate delays. The first of these can achieve a creditable 1500ms, while the other two supply a nonetheless healthy 1000ms. Like the Multi-Taps, these delays can be tempo-driven by MIDI clock, but seem considerably easier to set up. An Echo Rhythm parameter lets you set the delays to specific note values (a chart is laid out in the manual to guide you) and HF Cut, chorus rate, feedback and diffusion controls complete the picture. Altogether a very versatile algorithm.

Control MIDI

Vine cu alimentator 9VAC - 220V

o urechiusa de prindere a fost rupta in trecut si reparata cu banda adeziva.

Efectele functioneaza cum trebuie dar uneori face probleme cu memorarea anumitor configuratii de patchuri. Pentru cei care o iau strict pentru efecte nu ar trebui sa-i afecteze cu nimic.

Pret fix! Se vinde as-is!