CD The Prodigy - The Dirtchamber Sessions Volume One 1999
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The Prodigy – The Dirtchamber Sessions Volume One
Label: |
XL Recordings – XLCD 128 |
---|---|
Format: |
CD, Mixed,
Stereo, Digipak
|
Country: |
UK |
Released: |
Feb 22, 1999 |
Genre: |
Electronic, Hip Hop, Rock, Funk / Soul |
Style: |
Alternative Rock, Breaks, Punk, Big Beat, Hip Hop, Breakbeat, Britcore |
Tracklist
Section 1 - 7:18 | |||
1.1 | Liam Howlett– | Intro Beats
Written-By
[Uncredited] – Liam
Howlett
|
|
1.2 | Rasmus– | Punk Shock
Written-By – Rasmus
|
|
1.3 | Hardnoise– | Untitled | |
1.4 | Chemical Brothers*– | Chemical Beats | |
1.5 | Ultramagnetic MC's– | Kool Keith Housing Things
Written-By – C.
Miller*, K.
Thornton*, M.
Smith*, T.
Randolph*
|
|
1.6 | Lightning Rod* Featuring Jalal*– | Sport
Featuring – Jalal*
Written-By – Lightning Rod*
|
|
1.7 | Ultramagnetic MC's– | Give The Drummer Some
Written-By – C.
Miller*, K.
Thornton*, M.
Smith*, T.
Randolph*
|
|
1.8 | Time Zone– | Wildstyle
Written-By – Afrika
Bambaataa, Amad
Henderson, Egan*
|
|
Section 2 - 6:45 | |||
2.1 | Bomb The Bass– | Bug Powder Dust | |
2.2 | Grandmaster Flash And The Furious Five*– | Pump Me Up
Written-By – James
Avery, Robert
Reed, Tony
Fisher
|
|
2.3 | The Charlatans– | How High
Written-By – Brookes*, M.
Collins*, Blunt*, R.
Collins*, Burgess*
|
|
2.4 | Prodigy*– | Poison
Written-By – K.
Palmer*, L.
Howlett*
|
|
2.5 | Janes Addiction*– | Been Caught Stealing
Written-By – David
Navarro*, Eric
Avery, Perry
Farrell, Stephen Perkins
|
|
2.6 | Tim Dog Featuring KRS One*– | I Get Wrecked | |
Section 3 - 6:03 | |||
3.1 | Babe Ruth– | The Mexican
Written-By – Shacklock*
|
|
3.2 | The B-Boys– | Rock The House
Written-By – V.
Davis*
|
|
3.3 | Chemical Brothers*– | (The Best Part Of) Breaking Up | |
3.4 | Word Of Mouth (2)– | King Kut
Written-By – D
Pretlow*, D
Miller*, E
Fletcher*, R
Cheese*
|
|
Section 4 - 7:53 | |||
4.1 | DJ Mink– | Hey Hey Can U Relate
(Instrumental)
Written-By – Carruthers, Mink*, McDevitt (2)
|
|
4.2 | Klf*– | What Time Is Love
Written-By – W
Drummond*, J
Cauty*
|
|
4.3 | Frankie Bones– | Funky Acid Makossa
Written-By – Frankie 'Bones'*
|
|
4.4 | Frankie Bones– | Shafted Off
Written-By – Frankie 'Bones'*
|
|
4.5 | Frankie Bones– | And The Break Goes Again
Written-By – Frankie 'Bones'*
|
|
4.6 | Meat Beat Manifesto– | Radio Babylon
Written-By – Jack
Dangers
|
|
4.7 | Herbie Hancock– | Rockit
Written-By – B
Laswell*, H
Hancock*, M
Beinhorn*
|
|
4.8 | Mark The 45 King*– | 900 Number
Written-By – Mark
James (5)
|
|
4.9 | Propeller Heads*– | Spybreak!
Written-By – Alex
Gifford
|
|
4.10 | Beastie Boys– | It's The New Style | |
Section 5 - 4:57 | |||
5.1 | Sex Pistols– | New York | |
5.2 | Fatboy Slim– | Punk To Funk
Written-By – Keith
Mansfield, Norman
Cook
|
|
5.3 | Medicine*– | I'm Sick | |
Section 6 - 5:49 | |||
6.1 | D.S.t.*– | The Home Of Hip-Hop
Written-By – D.
Showard*, T
Johnson
|
|
6.2 | JVC Force*– | Strong Island
Written-By – A. J.
Woodson, C.
Small*, B.
Taylor*
|
|
6.3 | Primal Scream– | Kowalski
Film Director
[Dialogue] – Richard
Sarafian
Other [Actor,
Dialogue] – Cleavon J Little
Living Trust
Producer
[Dialogue] – Norman
Spencer
Written-By
[Dialogue] – Guillermo
Cain
|
|
6.4 | Beastie Boys– | Time To Get Ill | |
6.5 | Barry White– | I'm Gonna Love You A Little More
Baby
Written-By – Barry
White
|
|
6.6 | Public Enemy– | Public Enemy No. 1
Written-By – Carlton C. Ridenhour*, H.
Shocklee*
|
|
6.7 | JB's*– | Blow Your Head
Written-By – Fred
Wesley, James
Brown
|
|
6.8 | T-La-Rock*– | Breakin' Bells
Written-By – Clearance Keaton*, Kirk
Khaleel
|
|
Section 7 - 4:00 | |||
7.1 | LL Cool J– | Get Down
Written-By – B.
Ervin*, D.
Pierce*, D.
Simon*, J. T.
Smith*
|
|
7.2 | Digital Underground– | Humpty Dance
Written-By – B
Collins*, E
Humphrey*, G
Clinton*, G
Jacobs*, W
Morrison*
|
|
7.3 | Uptown (3)– | Dope On Plastic
Written-By – C J
Moore*, D
Ross*, R.
Dacosta*
|
|
7.4 | Cold Cut*– | More Beats & Pieces | |
Section 8 - 8:41 | |||
8.1 | London Funk Allstars– | Sure Shot
Written-By – Jason
Carter (3)
|
|
8.2 | West Street Mob– | Breakdance Electric Boogie
Written-By – Joey
Robinson*, L
Robinson Jr*
|
|
8.3 | Hijack (2)– | Doomsday Of Rap
Written-By – R.
Nwohia*, V. A.
Mclean*
|
|
8.4 | Renegade Soundwave– | Ozone Breakdown
Written-By – Renegade Soundwave
|
|
8.5 | The Beginning Of The End– | Funky Nassau
Written-By – Munnings*, Fitzgerald*
|
|
8.6 | The Jimmy Castor Bunch– | It's Just Begun |
Notes
Each CD track contains excerpts from several different tracks. The total track time is given on the first sub-track.
Comes packaged in a double-gatefold digipak case with a front pocket for the booklet.
Track 1.2: Mistitled as "Tonto's Release".
Track 3.3: Written on the release as 'Best Part Of Breaking Up'.
Track 4.1 Written on the release as 'Hey Can You Relate' in the liner notes and 'Hey Hey Can You Relate (Instrumental) in the copyright info.
Tracks 4.3, 4.4, 4.5: Artist written as 'Frankie Bones' in the liner notes and 'Bones Breaks' in the copyright info.
Track 4.7 Written on the release as 'Rokit'.
Track 4.9 Written on the release as 'Spy Break'.
Not listed Artists/Songs:
3.4: The break which runs from 5:45 up to the end of the track is a looped break from "Funky Music is the Thing" by Dynamic Corvettes.
Featured between track 4.7, 4.8 and 4.9: Portions from The Prodigy's "Smack My Bitch Up" and "Molotov Bitch".
Track 1.2 published by Big Life Music. (P) 1998 Bolshi Recordings. Licensed courtesy of Big Life.
Track 1.3 published by Music Of Life Publishing. (P) 1991 Music Of Life Ltd. Licensed courtesy of Music Of Life Ltd.
Track 1.4 published by M62/BMG Music Publishing Ltd/Copyright Control. (P) 1995 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd.
Track 1.5 published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records.
Track 1.6 published by On The One Publishing. (P) 1988 Liberty (the copyright in this sound recording is owned by Liberty, a division of Capitol records Inc). Licensed courtesy of EMI Commercial Markets.
Track 1.7 published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records.
Track 1.8 published by Chu Teh Music/UK: Copyright Control/Warner Chappell Music Ltd/Leosong Copyright Service Ltd/Copyright Control. (P) 1983 Celluoid Inc. Licensed courtesy of Lendway/Polygram Licensing Division.
Track 2.1 published by Cop Con/1D Soup. (P) 1994 Island Records Ltd. Licensed from Polygram Licensing Division on behalf of Island Records.
Track 2.2 published by UK: Island Music Ltd/Hugabut Music/Maxx Kidds Music/USA: Sugar Hill Music. (P) 1984 Sugar Hill Records Inc. Licensed courtesy of Castle Music Ltd/Rhino Entertainment Company.
Track 2.3 published by Warner Chappell Music Limited. (P) 1997 Beggars Banquet Records Limited. Licensed courtesy of Beggars Banquet Records/Universal Music.
Track 2.4 published by EMI Virgin Music Publishers Ltd. (P) 1995 XL-Recordings Ltd.
Track 2.5 published by EMI Virgin Music Limited. (P) 1997 Warner Bros Records Inc. (Licensed courtesy of Warner Special Projects).
Track 2.6 published by Tim Dog Music (BMI)/Zomba Enterprises Inc/BDP Music administered by Zomba Enterprises Inc/Super Star International Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1993 Sony Music Entertainment. (Licensed courtesy of Sony Music Entertainment Inc).
Track 3.1 published by Carlin Music Corp. (P) 1972 EMI Records Ltd. (The copyright in this sound recording is owned by EMI Records Ltd). Licensed courtesy of EMI Commercial Markets.
Track 3.2 published by Vintertainment Publishing Co (Pisces Music Ltd). (P) 1983 Vintertainment Record Co. (Licensed courtesy of Vintertainment).
Track 3.3 published by MCA Music. (P) 1996 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd.
Track 3.4 published by Promuse Inc/Duke Bootee Music/BMI/UK: Warner Chappell Music Ltd. (P)1985 Arista Records Inc. (Licensed courtesy of BMG Special Marketing Europe/Arista Records Inc/BMG Entertainment International UK & Ireland).
Track 4.1 publishing: Copyright Control. (P) 1990 Warp Records Limited. (Licensed courtesy of Warp Records Limited).
Track 4.2 published by E.G. Music/Zoo-Warner Chappell Music. (P) 1988 KLF Communications. (Licensed courtesy of KLF Communications Ltd).
Track 4.3 publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4.4 publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4.5 publishing: Copyright Control. (P) 1988 Sonic Groove Records (N.Y.C.). (Licensed courtesy of Sonic Groove Records).
Track 4.6 published by Strictly Confidential. (P) 1990 Play It Again Sam. Licensed courtesy of Play It Again Sam Records and Nothing Records Limited.
Track 4.7 published by Hancock Music Company (BMI)/More Cut Music (BMI)/Bridge Of Sighs (BMI). (P) 1980 Sony Music Entertainment. (Licensed courtesy of Sony Music Entertainment Inc).
Track 4.8 published by Street Tuff Tunes. (P) 1992 Tuff City Records. (Licensed courtesy of Tuff City Records).
Track 4.9 published by Chrysalis Music. (P) 1997 Propellerheads. Licensed courtesy of Wall Of Sound/Dreamworks Records (under license from Universal Music Special Markets Inc). taken from the album 'Decksanddrumsandrockandroll'.
Track 4.10 published by Polygram Music Publishing Ltd/Island Music Ltd. (P) 1986 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Licensed To Ill' (5273512).
Track 5.1 published by Stephen Philip Jones/Warner Chappell Music/Rotten Music Ltd. (P) 1992 Virgin Records Ltd. Licensed courtesy of Virgin Records Ltd/Warner Special Products.
Track 5.2 published by Polygram Music Publishing Ltd/K.P.M. Music Ltd. (P) 1996 Skint Records. (Licensed courtesy of Skint Records).
Track 5.3 published by Year Zero Music Ltd/Bucks Music Ltd. (P) 1997 Next Century Records c/o Bucks Music Ltd. (Licensed courtesy of Bucks Music Ltd).
Track 6.1 published by D Street Music (BMI)/Chu Teh Music (BMI). (P) 1985 Celluloid Inc. Licensed courtesy of Lendway.
Track 6.2 publishing: Copyright Control. (P) 1984 Big East Entertainment. Licensed courtesy of Sidewalk Music Inc.
Track 6.3 published by EMI Music/Complete Music/Sony Music. For USA: EMI Music Publishing Ltd c/o EMI Blackwood Music Inc/Complete Music Ltd PRS. Administered in USA by Incomplete Music Inc. c/o Lip Services BMI. (P) 1997 Creation Records Limited/Reprise Records Inc. Contains dialogue from "Vanishing Point" used courtesy of the Cleavon J Little Living Trust (Actor), Guillermo Cain (Writer), Richard Sarafian (Director), 20th Century Fox Productions and Norman Spencer (producer). Licensed courtesy of Creation Records Ltd/Sony Music Entertainment/Warner Special Products (Produced under licence from Warner Bros Records Inc). Taken from the Creation album "Vanishing Point".
Track 6.4 published by Polygram Music Publishing Ltd/Island Music Ltd. (P) 1986 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Licensed To Ill' (5273512).
Track 6.5 published by Warner Chappell Music Ltd. (P) 1973 Polygram Records Inc (NY). Licensed from Polygram Licensing Division.
Track 6.6 published by Published by Bucks Music Ltd/Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on the Def Jam album 'Yo! Bum Rush The Show' (5273572).
Track 6.7 published by Intersong Music Ltd. (P) 1974 Polygram Records Inc. Licensed from Polygram Licensing Division.
Track 6.8 published by Hit And Hold Music Inc (ASCAP). (P) 1993 Warlock Records Inc. (Licensed courtesy of Warlock Records Inc).
Track 7.1 published by Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed courtesy of Polygram Licensing Division. Available on the Def Jam album 'Bigger And Deffer' (5273532).
Track 7.2 published by Zomba/GLG (ASCAP)/Bridgeport/Polygram/Island (BMI). (P) 1989 Tommy Boy Music. Incorporates a sample of 'Let's Play House'. Digital Underground appears courtesy of Tommy Boy Music.
Track 7.3 published by T-Boy Music (ASCAP)/T-Girl Music (BMI). (P) 1989 Tommy Boy Music. Uptown appears courtesy of Tommy Boy Music.
Track 7.4 published by Just Isn't Music. (P) 1997 Ninja Tune. (Licensed courtesy of Ninja Tune).
Track 8.1 written for Blapps! Published by Just Isn't Music. (P) 1995 Ninja Tune. (Licensed courtesy of Ninja Tune).
Track 8.2 published by UK: IQ Music Ltd/USA: Regent Music. (P) 1983 Sugar Hill Records Inc. Licensed courtesy of Castle Music Ltd/Rhino Entertainment Company.
Track 8.3 publishing: Copyright Control. (P) 1988 Reservoir Records. (Licensed courtesy of Reservoir Records).
Track 8.4 published by Mute Song Ltd. (P) 1988 Mute Records Limited. Licensed courtesy of Mute Records Ltd. Taken from the Mute album 'RSW 1987-1995'.
Track 8.5 published by Windswept Pacific Songs BMI/UK: Kassner, Edward Music Co Ltd. (P) 1971 WEA International Inc. Licensed courtesy of Warner Special Products (Produced under licence from Atlantic Recording Corp).
Track 8.6 published by Jimpire Music/BMI/UK: Minder Music Ltd. (P) 1972 BMG Entertainment. Licensed courtesy of BKG Special Marketing Europe/RCA Records Inc/BMG Entertainment International UK & Ireland Ltd.
The inspirations: Double Dee And Steinski, Coldcut, Big Apple Productions, Flash On The Wheels Of Steel, DJ Cheese, Cash Money, Cutmaster Swift, Mixmaster MIke, Scratch Piklz and the Artists on this record.
Extra thanx goes out to: John Lydon, Jimmy Cauty, Bill Drummond, Mary Anne Hobbs, Martin James, Kathy (Beggars), R To The R.
This compilation ℗ & © XL-Recordings Ltd 1999. XL-Recordings, 17-19 Alma Rd, London SW18 1AA.
Tel. 0181 870 7511 Fax. 0181 871 4178
E-mail: xl@xl-recordings.com XL Website: Prodigy Website:
Midi Management / Mike Champion Fax: +44 (0)1279 759 069.
Made in England.
Barcode and Other Identifiers
- Barcode (Text): 6 34904 01282 3
- Barcode (String): 634904012823
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