Literature and Religion: Pascal, Gryphius, Lessing, Holderlin, Novalis
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The great visions of Gryphius, Lessing, Holderlin, and Novalis,
visions of peace, freedom, and humanity, have not been refuted.
They were simply not realized in the modem era and they point to a
different future...the lofty intellectuality and morality of Pascal
the Catholic as well as the radical Christianness of Kierkegaard
the Protestant have to be taken in here just as much as the
mystical depth of Dostoyevsky the Russian and the enigmatic
darkness of Kafka the Jew. The eclipse of God, the subsequent
twilight of the gods, the downfall of the modem pseudogods can be
followed by a new morning in a paradigm of postmodernity (a name
for what is as yet unknown). Yes, let us look forward. If I read
the signs of the times rightly, toward the end of our century
rebellion against the Kafk'sque world is everywhere afoot....
Literature and religion in one: a theme of hope for a new futurean
era that can bring forth literature in which great theology and
great aesthetics enter once again into an exemplary intimacy. uHans
Knng, from Literature and Religion Up until the seventeenth
century, Western culture was essentially synonymous with Christian
culture. Then, on the very border between the medieval and the
modem worlds, this unity of authority and belief began to crumble.
For the first time, an intellectual life developed that was
independent of the church, and modem, rational man surged toward
new models of the world, society, the church, and theology. In
Literature and Religion, Hans Knng and Walter Jens survey the
complex, vital, and contradictory search for faith over the past
three hundred years through the key works of eight great writers.
At the dawn of modernity, Blaise Pascal was the prototype of the
new modern man, measuring religion against developments in science,
technology, and industrialization. Andreas Gryphius records the
forces of the German Reformation, while Gotthold Lessing embodies
the Enlightenment. Romanticism is represented by works of Ho1derlin
and Novalis, and the crisis of the nineteenth century by
Kierkegaard and Dostoyevsky. Finally, Knng and Jens show the demise
of the paradigm of modernity in the extreme distance between God
and man in KafkaAEs The Castle. Hans Knng, the renowned theologian,
and Walter Jens, a literary specialist, bring contemporary
postmodern consciousness to bear on centuries of interwoven poetry
and faith. Readers today will find answers to the ongoing dialogue
on the possibilities and limits of faith in our fractured age.
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