The Zapruder Film: Reframing JFK's Assassination
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Specificatii
It is the most famous home movie of all time, the most closely
analyzed 26 seconds of film ever shot, the most disturbing visual
record of what many have called the crime of the century. In 486
frames--a mere six feet of celluloid--Abraham Zapruder's iconic
film captures from beginning to end the murder of President John F.
Kennedy in broad daylight. An essential piece of evidence, the film
has become nearly synonymous with the assassination itself and has
generated decades of debate among conspiracy theorists and
defenders of the Warren Commission's official report. Until now,
however, no scholar has produced a comprehensive book-length study
of the film and its relation to the tragic events of November 22,
1963. David Wrone, one of our nation's foremost authorities on the
assassination, re-examines Zapruder's film with a fresh eye and a
deep knowledge of the forensic evidence. He traces the film's
history from its creation on the grassy knoll by Dallas dressmaker
Zapruder through its initial sale to Life magazine and early
reproductions and its analysis by the Warren Commission and
countless assassination researchers, licensing by the Zapruder
family, legal battles over bootleg copies, and sale to the federal
government for sixteen million dollars. Wrone's major contribution,
however, is to demonstrate how a close examination of the film
itself necessarily refutes the Warren Commission's lone-gunman and
single-bullet theories. The film, as he reminds us, provides a
scientifically precise timeline of events, as well as crucial clues
regarding the timing, number, origins, and impact of the shots
fired that day. Analyzing the film frame-by-frame in relation to
other evidence--including two key photos by Phil Willis and Ike
Altgens--he builds a convincing case against the official findings.
Without fanfare, he concludes that more than three gunshots were
fired from more than one direction and that most likely none were
fired by alleged assassin Lee Harvey Oswald. If true, then JFK's
death was the result of a conspiracy, for the Commission's
nonconspiracy conclusion requires a maximum of three shots and one
gunman. Wrone, however, does not speculate as to who actually shot
JFK or why--or even if Oswald was a part of the conspiracy. In
fact, he is no fan of conspiracy-think and is just as critical of
the legion of conspiracy theorists as he is of the Warren
Commission (which, he reveals, crushed dissent within its own
ranks). Doggedly pursuing the evidence wherever it leads, Wrone has
produced a meticulous, clear-eyed, and provocative new reading of
this remarkable cinematic Rosetta Stone.
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